READ OUT LOUD! OEB Society Members Review Butler’s Unexpected Stories

Power, Hope, and Unhappy Endings: Reflecting on Octavia E. Butler Through Unexpected Stories

         Many reviewers and fans of Octavia E. Butler’s large body of work have described her novels and short stories as dealing with issues of power. It took me a long time to see what they meant. I saw it in Wild Seed, when Doro coerces Anyanwu into coming with him by threatening her children. It is harder to see the issues of power in Xenogenesis, the trilogy which introduced me to Butler’s work. Even though it is clear that the aliens seduce, coerce, and mislead the humans, Xenogenesis always strikes me as being, as Butler once said of “Bloodchild,” “basically a love story” (Bloodchild and Other Stories, 1995).  Of the two works recently released in Unexpected Stories, “A Necessary Being” could not be called a love story, though “Childfinder” could. These two early works by Butler foreshadow her later novels in truly unexpected ways. They not only clearly address aspects of wanted and unwanted power; they also present characters with uncertain motives, and their endings place them in the tradition of the American Romanticists, recalling some of Herman Melville’s and Nathaniel Hawthorne’s endings: ambiguous and bittersweet.

In “A Necessary Being,” Diut, who appears, older and wiser, in Survivor (1978), is an insecure young Hao, a rare blue-furred specimen of the alien Kohn. Diut is prized for his supposedly innate leadership ability, marked by his blue fur. To assume leadership of an entire tribe he needs only to do what everyone expects of him anyway: to be a leader. Diut, however, is not sure he deserves the title of Hao. Others recognize his inexperience as a potential liability. Tahneh, resident Hao and leader of a rival tribe, takes advantage of Diut’s inexperience. Diut acknowledges Tahneh’s ability to persuade and even enthrall him, albeit temporarily, because she is both blue and sure of her abilities. Tahneh challenges Diut even in moments of peace. The interplay between the two (the only two Hao alive, so far as they know) evokes the hierarchical tendencies that Butler briefly bemoans of the humans in Xenogenesis. Tahneh could be a mentor to Diut, but is just as easily a rival.

Those familiar with Wild Seed may see Diut and Tahneh as the counterparts of Anyanwu and Doro, respectively. Yet it is clear from the beginning that Doro is Wild Seed’s principal antagonist, whereas Tahneh’s motives are obscure. Tahneh seems at first to be protecting Diut. When she treats him with condescension, it seems like a betrayal of both Diut, and Tahneh’s character. “Childfinder” is much more like Butler’s later work, in that the characters’ personalities and goals are stable across the course of the narrative. What “A Necessary Being” and “Childfinder” each feature is an unsatisfying, even sad ending. The ambivalent conclusions are not necessarily bad; rather, they demonstrate an arc in which Butler moves from underscoring mostly negative points about human nature to discussing, somewhat more subtly and infinitely more elaborately, the ways in which power, attraction, and affection intersect.

Gerry Canavan says in his review of Unexpected Stories that, by 2004, Butler described herself in her author’s note as “usually hopeful.” The progression from rather pessimistic to “usually hopeful” is evident in Butler’s novels and short stories as well. Diut and Tahneh seem to have little hope that meaningful change will occur for them, despite their union – but their union does suggest a more affluent future for their tribes. In “Childfinder,” Barbara, a young black woman with psionic ability, gives up all but her life in order to protect the black children whose burgeoning psionic abilities she has nurtured. Butler’s later characters are much more likely to strike some sort of balance between love, sacrifice, and loss.

Reading Unexpected Stories allowed me to reflect across the body of Octavia E. Butler’s work in an unprecedented way. As Walter Mosley notes in the foreword, Unexpected Stories is a means for those who love Butler’s work to see her, and her work, anew.

The Society Thanks This Reviewer!


Meghan K. Riley is currently a doctoral student in English at the University of Waterloo.  She recently completed her Master of Arts in Liberal Studies at the University of Michigan-Flint. A fan of Octavia E. Butler’s work since childhood, Meghan wrote her thesis on representations and reimaginings of sex, race, motherhood, and disability in Butler’s novels and novels by Nnedi Okorafor, Larissa Lai, and Nalo Hopkinson. Meghan’s current research interests include speculative fiction, critical race theory, feminist disability studies, transmedia narrative, and Theory of Mind. When she is not researching, writing, reading, or grading, Meghan enjoys traveling, wandering aimlessly about campus, playing in the park with her two children, and enjoying the local library.


READ OUT LOUD! OEB Society Members Review Butler’s Unexpected Stories


The world lost author Octavia E. Butler too soon in February 2006. My favorite author, I was just beginning to discover her thanks to my African-American literature class in grad school. Butler was only 58 and had many more years left to share her vision of afrofuturism, race, power and gender with her readers around the globe. Many of her books were housed in the sci-fi section of bookstores and libraries, not in the African-American or women’s fiction sections, which definitely extended her popularity across gender and color lines. While themes of class, the ‘Other’, and racial/gender discrimination were prominent in all of her books, she never preached. Instead, Butler entertained with strong, memorable, characters and situations which rendered her books page-turners and best-sellers.

Now eight years after her death, Butler fans have been gifted with two previously unpublished short stories in the collection Unexpected Stories, penned before her fame. These stories both have strong female protagonists who must face a decisive turning point. Butler submitted her novella entitled “A Necessary Being” a few times before shelving it, while the shorter story “Childfinder” was sold to Harlan Ellison’s anthology, Last Dangerous Visions. It was never published.

“A Necessary Being,” moves right into world-building. One of the main characters, Tahneh, is having dinner in her apartment with her chief judge, who is also an ex-lover. Tahneh is a different species than the rest of her desert tribespeople. She is a powerful being called a Hao who glows blue and is said to bring peace and order to a community—the trouble is that her people need a successor and she is barren. Haos are forcefully brought into the communities they rule, and then physically handicapped to prevent their escape—this is what happened to Tahneh’s father.

In one of the oldest plot points around, a stranger comes to town in the form of a young Hao, hailing from the mountain region. Diut (we get a great backstory on Diut for all of you Patternist series fans) is traveling with two high-born companions to run away from a choice he must make to ensure his people’s survival. He doesn’t want the war his people want and believes that his people won’t listen to his unpopular decision. Tahneh is thrilled to meet someone of her own kind again and hopes that he can be her successor, a role which involves pain and sacrifice. The two form a romantic union; she teaches him to believe in his power and leadership while he shows her his capacity for compassion and trust, all amidst a backdrop of her people wanting to maim him so he can belong to their tribe.

“A Necessary Being” could have used some editing to pick up the pacing—Butler went into far too much detail about how the Haos, judges, and chiefs flashed their different colors and the fight scenes at the end lacked a clear direction. I liked her point of view choice of getting into both Diut’s and Tahneh’s heads in third person, rather than going omniscient or first person. Her ending felt justified and not rushed.

In the much shorter story, “Childfinder,” we enter in medias res a modern world where Barbara the Childfinder is living in the black projects, escaping the Organization. The Organization uses telepathic people for their own ends and formerly employed Barbara to recruit kids. I loved the description of one of her mentees, named Valerie. “Ten years old, dirty, filthy, even at this hour of the morning. Which meant she had probably gone to bed that way. Her mother worked at night and her older sister knew better than to try to make her do anything she didn’t want to do. Like bathe.” Conflict ensues between the Organization and the kids who do great work getting Barbara out of her precarious situation. She knows she has to keep going, no matter the obstacles. This story ends far too soon and I wish Butler could have written at least another five pages.

These two stories are examples of Butler’s early work; she herself even noted that she preferred writing novels over short stories. While they have their flaws, they are undeniably glistening with Octavia E. Butler’s soul. I’m so glad she was a pack rat, so perhaps even more of her old stories can be found.

If you haven’t read any Octavia Butler yet, do yourself a favor and pick up her two most popular books, Kindred (1979) and Parable of the Sower (1993)—you’ll be wanting more soon enough.

Click this link to Order the 82-page ebook, Unexpected Stories by Octavia E. Butler

The Society Thanks This Reviewer!


Alice Osborn’s past educational and work experience is unusually varied, and it now feeds her work in speculative poetry, as well as her passion for editing, coaching and speaking. After the Steaming Stops is her most recent collection of poetry; previous collections are Right Lane Ends and Unfinished Projects. Alice is also the editor of the short fiction anthology, Tattoos and the forthcoming Homes and Houses Anthology, both from Main Street Rag. She’s currently at work on her upcoming collection, Heroes without Capes. A Pushcart Prize nominee, her work has appeared in the News and Observer, The Broad River Review, The Pedestal Magazine, Soundings Review and in numerous journals and anthologies. She serves on the NC Writers’ Network Board of Trustees and volunteers for local writing events whenever she can. When she’s not editing or writing, Alice is an Irish step dancer as well as an aspiring guitar and violin player. She lives in Raleigh with her husband, two children and four birds. Visit Alice’s website at

OEB Panels at ALA proof that Octavia’s influence is as strong as ever

2014 OEB Panelists2014 OEB Panelists:    Clarence W. Tweedy, Matthew Mullins, Bryan Conn, Deanna Gross Scherger and Greg Hampton. Not pictured is Kristen Lillvis (because I was so engrossed in the first panel I forgot to take pictures).  

Happy Birthday!

The OEB Literary Society is a year old. Like most toddlers we experienced moments of rapid growth and incidences of bruised knees as we sought a way forward. At our initial meeting at the American Literature Association conference in Boston 2013, we put together a slate of officers and two members. We’ve now grown to more than 50 members and were able to sponsor two very excellent panels at ALA 2014 in Washington, DC! Both panels were well attended and provoked deep and interesting conversation.

Bryan Conn of the University of North Texas began the first panel with “‘It’s your body’: Kindred’s Black Liberalism and the Logic of Contract” which caused a lively debate surrounding the in/ability of an enslaved person to participate in body contracts. Kristen Lillvis from Marshall University added another level of insight reading fictive musical performances as afrofuturist texts with a paper entitled: “Afrofuturist Tempo-rality in the Work of Erykah Badu, Janelle Monáe, and Gayl Jones.” Howard University professor and officer in the OEB society, Greg Hampton, added fruit to the African Diaspora scholar’s apple carts with his paper, “Reading Aimé Césaire with Octavia Butler: A Tempest and Discourse on Colonialism as Science Fiction Narratives of Aliens Invasion.”

The second panel sponsored by the society began with a reading of Earthseed and Black Liberation Theology. Clarence W. Tweedy from the University of Mary Washington gave us much to think about in his paper, “In the Name of Change: Prophecy and Redemption in the Fiction of Octavia Butler.” “Backward-Looking Futures: Horizons of Change in Octavia Butler’s Parable of the Sower,” was an innovative read of circuitous time travel from Matthew Mullins of Southeastern Baptist Theological Seminary. The panel was rounded out by thoughts from Saddleback College’s Deanna Gross Scherger and her reading of feminist angst around issues of  birth and body control in her paper, “The Gene Trade: Octavia Butler’s Xenogenesis series and the New Eugenics.” All in all it was a very nice birthday party!

The society is proud of the intellectual scholarship and diversity we were able to offer at ALA 2014. Among our goals for our terrific twos are to increase membership, to produce a newsletter, and to celebrate the 10th Anniversary of the publication of Butler’s Fledgling. We will sponsor two more panels in 2015 and I personally hope to see significant strides made toward completing the MLA teaching series volume I have proposed: Approaches to Teaching the Works of Octavia E. Butler. Please consider filling out the survey and submitting a proposal for the volume by July 1. All questions regarding the volume should be sent via email to: Questions about the society are fielded at

Again, Happy Birthday to the Octavia E. Butler Literary Society and Happy Summer to all of you!







People of Color in the Future

As I come to the end of my Butler’s Daughter’s experience, I want to reflect on how I began it: One of the reasons I joined the Butler’s Daughter’s course is because I am a science fiction junkie. I loved Ender’s Game and Stargate and The Uglies series but I was always somewhat alarmed that there was never any people of color there. What happened to the people of color in the future? Did they die off? Were they massacared in the genocide Hitler dreamed of? What exactly happened?

In many of the books I read, there was this every hipster idea that if we were all the same, there would be no more strife caused by silly divisions like race or gender or sexuality. There would be problems of course, but these problems would be on the scale of alien attacks and world domination. There was a cohesiveness amongst the citizens of science fiction that seemed to branch from the fact that they were all the same.

What I love about Octavia Butlers books, and Dawn in particular, is that nothing happened to the people of color: Lillith is right there, leading the way into the new future. Dawn is an entire book about how not only diversity survives; it is vital to the world. The Oankali cannot live without diversity and seek out partners in order to avoid stagnation. This is in direct contradiction with the redirect of most science fiction novels, where the destruction of diversity results in unity of the world. However this kind of unity is false, achieved only by denying difference and thus denying people their individuality. By embracing diversity, Butler creates a more realistic future and a more achievable Utopia, one that may not be pretty, but is on its way to being equal.

It’s been rewarding to be reading about people of color in the future, to have a story where we exist and where we are working towards gaining equality. I personally feel as more people of color writers are recognized for their brilliance, we will see more of the story lines become common place. I am excited for that day.

Octavia E. Butler Celebration of Arts & Activism Panel Review/ End of the Year Thoughts

Going into this panel, I had nothing but high expectations, and coming out of the panel, I felt pleased. It’s a known fact: people who read and enjoy Octavia Butler’s works are inherently cool. And now I’m one of them. The panel contained a mix of artists and activists, many of who relate their work back to Octavia Butler and are finding ways to use her texts to inspire movements. With a panel chocked full of insightful people, I jotted notes to keep up, but one comment really stuck out to me–no notes required. Junot Díaz (whose credentials are available on wikipedia. Also, Junot, a few girls in my class are hardcore fangirls) said that our subconscious has a way of showing up in the work that we do, and specifically our writing. It was an interesting idea considering many people set out to write about specific issues like racism, feminism, sexism, agism, etc in their writing, but what about the ideas we aren’t even thinking about? As frustrating as it can be, writing is so cathartic. As a Spelman student I actively think a lot about feminism and women’s roles within texts and in real-world situations, and a lot of that shows up in my writing, but I think after Junot’s comment, I am more inclined to regularly journal to see what I’m thinking about when I’m not even aware that I’m thinking. Is my mind ever really off the clock? As we move into the spring/summer/school-less months, I plan to journal for ten minutes a day; I want to know more about my subconscious, and I encourage readers of this blog to try it with me!

On another note, today was the last day of our Butler’s Daughter’s: Imagining Leadership class. I am particularly thankful for this class and glad to be one of the pioneers of this course because it opened my eyes to an entire field of study (afrofuturism), incredibly talented authors, and my own capabilities to write and produce science fiction with black protagonists. I’ve always been interested in science-fiction books and movies like Gattaca and The Handmaid’s Tale by Margaret Atwood, for example, but it never occurred to me that I could be the one telling those stories, and that the people in the stories could look like me. Octavia is correct when she writes, “all you touch, you change,” because this course has enlightened me in so many unexpected ways, and moved me into long-term action as a reader, writer and thinker.

To our scarily-patient instructors Dr. Stanley and Professor Due, many thanks.